The Nobel Prize -winning Austrian Ellinic, the Nobel Prize for Literature, denounced the policies of Israeli Prime Minister Benjamin Netanyahu, whom she described on its website as a “criminal” who is paying “countless innocent people” in Gaza, “Most of them are women and children.”
On Friday, the 78 -year -old novelist, who won the Nobel Prize for Literature in 2004, defended the right of Israel to live, and I added, “But they called on the Palestinians to live also.”
The novelist was condemned by Hamas after its attack on October 7, 2023.
“Not all Palestinians believe in terrorism,” Yolinic added, denouncing, “The destruction of their homes and the killing of tens of thousands of them.”
The novelist, whose Jewish father survived the Holocaust (the Holocaust of the Jews at the hands of the Nazis), condemned “settlement colonialism that constitutes contempt for international law” and with “ethnic cleansing for a promised land” to be “for all the Jews and not else.”
She called for the support of “Democrats” in Israel, who “oppose unnecessarily this extreme right -wing government”, warning of “the danger of turning historical plans to include Gaza … into reality.”
Ehlreidi Yellenik urged the pro -political class “blind and ill -considered” to Israel to “alignment with the relevant efforts made by Israeli groups defending human rights.”
After the seventh of October 2023, the Nobel Peace Priest -peace novelist likened the Hamas movement to the Nazis, considering that it wanted to “erase” Israel “the only democratic state in the region.
One of the most prominent literary voices that used literature and novel is a tool for revealing social and political contradictions
Yellenic’s works included novels and theatrical works, as the theatrical text used a way to expose social and political contradictions. In her play “Sports Piece” (1998), she addressed the relationship between sport and violence, highlighting how sport is using a tool for domination and control.
And in the play “Burgatir” (1985), it was criticized for the Austrian Cultural Foundation, accusing it of collusion with the political and economic forces. These works were distinguished by its complex experimental and linguistic style, which challenges the traditional templates of the theater.
